When I first started playing clawhammer, I thought I had it nailed — hand moving, strings ringing, job done, right? But my rhythm was all over the place. The beat wasn’t landing where it should, and my thumb had no idea what the rest of my hand was doing.
It’s the same mistake I see beginners make all the time. The hand moves, but the rhythm disappears — like the down-stroke and thumb are arguing instead of dancing.
If you’ve seen Lesson 1 on Timing, you’ll know everything in clawhammer comes from that bum-ditty heartbeat. When that pulse goes missing, the whole groove collapses.
The fix? Slow down. Feel the “bum” first, then let the “dit-ty” follow naturally. Don’t force it — just let your hand swing loose and relaxed, like you’re tapping your foot to a tune.
When it clicks, you’ll feel it — suddenly your playing breathes. It sounds musical, not mechanical. That’s when clawhammer starts to make sense.
Remember, timing isn’t something you master once; it’s something you keep checking in with. Even now, years later, I still come back to that simple rhythm — because it’s the heartbeat of everything.
So if your strum feels uneven, don’t stress. You’re not doing anything wrong — you’re just one small adjustment away from the groove falling into place.
Now grab your banjo, take a breath, and let’s make that frailing hand feel good again.